Seeing fashion differently, living sustainably
Rooted in sustainability and material reuse, my work has expanded beyond clothing into broader questions of time, spirituality, and cosmology. Through speculative narratives and imagined worlds, I examine how diasporic histories, colonisation, and overconsumption have shaped our relationship to the body, the land, and value itself.
The ORBIS SPIKE - ATLANTIC TRADE (2025)
MY BIO
I have a long-standing obsession with magazines as cultural artefacts, spaces where writing, photography, and new ideas converge. Alongside garment making, alteration, and reuse, I work with publishing, video, and emerging materials to explore how fashion communicates values. My recent work moves toward speculative futures and worldbuilding, drawing on spirituality and cosmology as frameworks for imagining alternative fashion systems.
MY APPROACH
My practice sits at the intersection of sustainable fashion, visual storytelling, and speculative futures. Working across garment making, editorial design, photography, film, and material experimentation, I use fashion as a tool for worldbuilding, a way to explore belief systems, memory, and alternative ways of living.
EDUCATION
Alongside my creative practice, teaching art has informed a hands-on, experimental approach grounded in curiosity and making. Moving forward, I am interested in developing work that connects fashion, ritual, and future imaginaries, creating spaces for reflection, reconnection, and rethinking how we live with the world rather than on top of it.
Masters of Arts in Fashion Futures
London College of Fashion, London
Concentration: Sustainability and Re-imaging Fashion
Bachelor of Arts in Fashion Promotion
Southampton Solent University, Southampton
Specialization: Magazine Editing
Honors: Graduated with 2:1
Level 3 in Sewing and Tailoring
Barnfield College, Luton
Focused on sewing, pattern cutting and tailoring skills.
Media Studies BTEC
Barnfield College, Luton
Studied the art of creating films, striking photography and video editing
